Earth and Ember
Earth and Ember
Earth and Ember
Earth and Ember
Ceramics Workshop Brand Design
Ceramics Workshop Brand Design
Ceramics Workshop Brand Design
Ceramics Workshop Brand Design
Deliverables
Deliverables
Deliverables
Deliverables
Logo
Logo
Logo
Logo
Colours
Colours
Colours
Colours
Shop Signage
Shop Signage
Shop Signage
Shop Signage
Icons and Pattern
Icons and Pattern
Icons and Pattern
Icons and Pattern
Flyers and Posters
Flyers and Posters
Flyers and Posters
Flyers and Posters
Objectives
Objectives
Objectives
Objectives
Earth and Ember celebrates the therapeutic joy of working with clay. Surrounded by the natural elements that inspire us, the studio invites individuals of all skill levels to explore the timeless craft of pottery. From handcrafted mugs to intricately designed vases, every piece tells a story—a connection between the artist, the earth, and the fire—woven together in a harmonious dance of creativity.
Earth and Ember celebrates the therapeutic joy of working with clay. Surrounded by the natural elements that inspire us, the studio invites individuals of all skill levels to explore the timeless craft of pottery. From handcrafted mugs to intricately designed vases, every piece tells a story—a connection between the artist, the earth, and the fire—woven together in a harmonious dance of creativity.
Earth and Ember celebrates the therapeutic joy of working with clay. Surrounded by the natural elements that inspire us, the studio invites individuals of all skill levels to explore the timeless craft of pottery. From handcrafted mugs to intricately designed vases, every piece tells a story—a connection between the artist, the earth, and the fire—woven together in a harmonious dance of creativity.
Earth and Ember celebrates the therapeutic joy of working with clay. Surrounded by the natural elements that inspire us, the studio invites individuals of all skill levels to explore the timeless craft of pottery. From handcrafted mugs to intricately designed vases, every piece tells a story—a connection between the artist, the earth, and the fire—woven together in a harmonious dance of creativity.
Design Process
Design Process
Design Process
Design Process
The branding began with hand-drawn sketches of ceramic forms, which were scanned and transformed into icons and a brand pattern. These shapes reflect the organic, imperfect beauty of handmade pottery and appear across a range of brand assets.
For the logo, I wanted to capture the handmade essence of ceramics. The typeface has a stamp-like feel, with rounded, slightly irregular letterforms—imperfect by design, much like hand-thrown pottery. The sub-logo takes inspiration from the maker’s mark often stamped on the base of ceramic pieces.
The colour palette has a grounded, natural feel. A warm terracotta represents raw clay, paired with a chalky white reminiscent of dried slip. These are balanced with a dusty pink, a dark mossy green, and a charcoal-toned black.
The posters and postcards draw inspiration from the clean, minimal layouts found in ceramic reference books. Their compositions echo this simplicity, allowing the textures and forms of the brand to take centre stage.
This is a conceptual project.
The branding began with hand-drawn sketches of ceramic forms, which were scanned and transformed into icons and a brand pattern. These shapes reflect the organic, imperfect beauty of handmade pottery and appear across a range of brand assets.
For the logo, I wanted to capture the handmade essence of ceramics. The typeface has a stamp-like feel, with rounded, slightly irregular letterforms—imperfect by design, much like hand-thrown pottery. The sub-logo takes inspiration from the maker’s mark often stamped on the base of ceramic pieces.
The colour palette has a grounded, natural feel. A warm terracotta represents raw clay, paired with a chalky white reminiscent of dried slip. These are balanced with a dusty pink, a dark mossy green, and a charcoal-toned black.
The posters and postcards draw inspiration from the clean, minimal layouts found in ceramic reference books. Their compositions echo this simplicity, allowing the textures and forms of the brand to take centre stage.
This is a conceptual project.
The branding began with hand-drawn sketches of ceramic forms, which were scanned and transformed into icons and a brand pattern. These shapes reflect the organic, imperfect beauty of handmade pottery and appear across a range of brand assets.
For the logo, I wanted to capture the handmade essence of ceramics. The typeface has a stamp-like feel, with rounded, slightly irregular letterforms—imperfect by design, much like hand-thrown pottery. The sub-logo takes inspiration from the maker’s mark often stamped on the base of ceramic pieces.
The colour palette has a grounded, natural feel. A warm terracotta represents raw clay, paired with a chalky white reminiscent of dried slip. These are balanced with a dusty pink, a dark mossy green, and a charcoal-toned black.
The posters and postcards draw inspiration from the clean, minimal layouts found in ceramic reference books. Their compositions echo this simplicity, allowing the textures and forms of the brand to take centre stage.
This is a conceptual project.
The branding began with hand-drawn sketches of ceramic forms, which were scanned and transformed into icons and a brand pattern. These shapes reflect the organic, imperfect beauty of handmade pottery and appear across a range of brand assets.
For the logo, I wanted to capture the handmade essence of ceramics. The typeface has a stamp-like feel, with rounded, slightly irregular letterforms—imperfect by design, much like hand-thrown pottery. The sub-logo takes inspiration from the maker’s mark often stamped on the base of ceramic pieces.
The colour palette has a grounded, natural feel. A warm terracotta represents raw clay, paired with a chalky white reminiscent of dried slip. These are balanced with a dusty pink, a dark mossy green, and a charcoal-toned black.
The posters and postcards draw inspiration from the clean, minimal layouts found in ceramic reference books. Their compositions echo this simplicity, allowing the textures and forms of the brand to take centre stage.
This is a conceptual project.
Design Process
Design Process
Design Process
Design Process
The branding began with hand-drawn sketches of ceramic forms, which were scanned and transformed into icons and a brand pattern. These shapes reflect the organic, imperfect beauty of handmade pottery and appear across a range of brand assets.
For the logo, I wanted to capture the handmade essence of ceramics. The typeface has a stamp-like feel, with rounded, slightly irregular letterforms—imperfect by design, much like hand-thrown pottery. The sub-logo takes inspiration from the maker’s mark often stamped on the base of ceramic pieces.
The colour palette has a grounded, natural feel. A warm terracotta represents raw clay, paired with a chalky white reminiscent of dried slip. These are balanced with a dusty pink, a dark mossy green, and a charcoal-toned black.
The posters and postcards draw inspiration from the clean, minimal layouts found in ceramic reference books. Their compositions echo this simplicity, allowing the textures and forms of the brand to take centre stage.
This is a conceptual project.
The branding began with hand-drawn sketches of ceramic forms, which were scanned and transformed into icons and a brand pattern. These shapes reflect the organic, imperfect beauty of handmade pottery and appear across a range of brand assets.
For the logo, I wanted to capture the handmade essence of ceramics. The typeface has a stamp-like feel, with rounded, slightly irregular letterforms—imperfect by design, much like hand-thrown pottery. The sub-logo takes inspiration from the maker’s mark often stamped on the base of ceramic pieces.
The colour palette has a grounded, natural feel. A warm terracotta represents raw clay, paired with a chalky white reminiscent of dried slip. These are balanced with a dusty pink, a dark mossy green, and a charcoal-toned black.
The posters and postcards draw inspiration from the clean, minimal layouts found in ceramic reference books. Their compositions echo this simplicity, allowing the textures and forms of the brand to take centre stage.
This is a conceptual project.
The branding began with hand-drawn sketches of ceramic forms, which were scanned and transformed into icons and a brand pattern. These shapes reflect the organic, imperfect beauty of handmade pottery and appear across a range of brand assets.
For the logo, I wanted to capture the handmade essence of ceramics. The typeface has a stamp-like feel, with rounded, slightly irregular letterforms—imperfect by design, much like hand-thrown pottery. The sub-logo takes inspiration from the maker’s mark often stamped on the base of ceramic pieces.
The colour palette has a grounded, natural feel. A warm terracotta represents raw clay, paired with a chalky white reminiscent of dried slip. These are balanced with a dusty pink, a dark mossy green, and a charcoal-toned black.
The posters and postcards draw inspiration from the clean, minimal layouts found in ceramic reference books. Their compositions echo this simplicity, allowing the textures and forms of the brand to take centre stage.
This is a conceptual project.
The branding began with hand-drawn sketches of ceramic forms, which were scanned and transformed into icons and a brand pattern. These shapes reflect the organic, imperfect beauty of handmade pottery and appear across a range of brand assets.
For the logo, I wanted to capture the handmade essence of ceramics. The typeface has a stamp-like feel, with rounded, slightly irregular letterforms—imperfect by design, much like hand-thrown pottery. The sub-logo takes inspiration from the maker’s mark often stamped on the base of ceramic pieces.
The colour palette has a grounded, natural feel. A warm terracotta represents raw clay, paired with a chalky white reminiscent of dried slip. These are balanced with a dusty pink, a dark mossy green, and a charcoal-toned black.
The posters and postcards draw inspiration from the clean, minimal layouts found in ceramic reference books. Their compositions echo this simplicity, allowing the textures and forms of the brand to take centre stage.
This is a conceptual project.